Shinto
The Way of the Kami

Kami of the Mountain/Kami of the Field
Shinto "torii" (shrine gate)

In its earliest form, the people of a particular region established a symbiotic relationship with the powers of nature that were responsible for protecting the community. For example, since water flows from the mountains to the fields, this natural cycle was personified as a kami of the mountain (yama no kami) that descended in the spring to become the kami of the field (ta no kami), which then returned to the mountain after the fall harvest. People therefore offered “first fruits” to this local kami in order to ensure the protection of the community.
 

Otaue Matsuri (Rice Planting Festival)
Niiname Sai (First Taste Festival)


 
Rice Harvest Festival (niiname sai)
 
This idea of living in harmony with kami of the natural world is known as kannagara, which Yukitaka Yamamoto, ninety-sixth Chief Priest of the Tsubaki Grand Shrine, describes as follows:
 
The Spirit of Great Nature may be a flower, may be the beauty of the mountains, the pure snow, the soft rains or the gentle breeze. Kannagara means being in communion with these forms of beauty and so with the highest level of experiences of life. When people respond to the silent and provocative beauty of the natural order, they are aware of kannagara. When they respond in life in a similar way, by following ways according to the kami,they are expressing kannagara in their lives. They are living according to the natural flow of the universe and will benefit and develop by so doing. (Living Religions, 226) Kanji for Kannagara
 
Shinto sacred forest
 
Animated image of kodama (tree spirits) from Princess Mononoke
Shinto "torii" (shrine gate)
Izanagi and Izanami (Shinto deities associated with creation)
Shinto & the State
The Birth of Japan
Izanagi and Izanami stood on the floating bridge of Heaven and held counsel together, saying, “Is there not a country beneath?” Thereupon they thrust down the jewel-spear of Heaven and, groping about therewith, found the ocean. The brine which dripped from the point of the spear coagulated and became an island which received the name of Ono-goro-jima. The two deities thereupon descended and dwelt in this island. (Sources of Japanese Tradition, 14)

How is this creation story similar to and/or different from
the more familiar account of
"Genesis" in the bible?

Shinto "torii" (shrine gate)
Amaterasu's Birth
 
Izanagi no Mikoto and Izanami no Mikoto consulted together saying, “We have now produced the great-eight-island country, with the mountains, rivers, herbs, and trees. Why should we not produce someone who shall be lord of the universe? They then together produced the Sun Goddess, who was called O-hiru-me no muchi. (Called in one writing Amaterasu no O-hiru-me no muchi.) The resplendent luster of this child shone throughout all the six quarters. Therefore the two deities rejoiced saying, “We have had many children, but none of them have been equal to this wondrous infant. She ought not to be kept long in this land, but we ought of our own accord to send her at once to Heaven and entrust to her the affairs of Heaven.” (Sources of Japanese Tradition, 20-1)
Map showing the ancient locations of Yamato and Izumo
Izumo Shrine
 
[Izanagi and Izanami’s] next child was Susa no o no Mikoto. … This god had a fierce temper and was given to cruel acts. Moreover he made a practice of continually weeping and wailing. So he brought many of the people of the land to an untimely end. Again he caused green mountains to become withered. Therefore the two gods, his parents, addressed Susa-no-o no Mikoto, saying, “Thou art exceedingly wicked, and it is not meet that thou shouldst reign over the world. Certainly thou must depart far away to the Nether-land.” So they at length expelled him. (SJT, 20-1)

Shinto "torii" (shrine gate)
Amaterasu emerges from the cave
 
The Yasakani Magatama Jewels & Sacred Mirror
After this Susa-no-o no Mikoto’s behavior was exceedingly rude. ... [For example,] when he saw that Amaterasu was in her sacred weaving hall, engaged in weaving garments of the gods, he flayed a piebald colt of Heaven and, breaking a hold in the roof tiles of the hall, flung it in. Then Amaterasu started with alarm and wounded herself with the shuttle. Indignant of this, she straightway entered the Rock-cave of Heaven and, having fastened the Rock-door, dwelt there in seclusion. Therefore constant darkness prevailed on all sides, and the alternation of night and day was unknown.
 
Yasakani no Magatama Jewels
500-Branched True Sakaki Tree
Sun Mirror
 
Then the eighty myriad gods met on the bank of the Tranquil River of Heaven and considered in what manner they should supplicate her. ... Then Ame no Koyane no Mikoto ... and Futo-dama no Mikoto ... dug up a five-hundred branched True Sakaki tree of the Heavenly Mount Kagu. On its upper branches they hung an august five-hundred string of Yasaka [Magatama] jewels. On the middle branches they hung an eight-hand mirror. ...
 
Ame no Uzume
 
Moreover Ame no Uzume no Mikoto, ancestress of the Sarume chieftain, took in her hand a spear wreathed with Eulalia grass and, standing before the door of the Rock-cave of Heaven, skillfully performed a mimic dance. She took, moreover, the true Sakaki tree of the Heavenly Mount of Kagu and made of it a head-dress; she took club-moss and made of it braces; she kindled fires; she placed a tub bottom upwards and gave forth a divinely inspired utterance.
 
Amaterasu's Cave with torii and shimenawa
 
Now Amaterasu heard this and said, “Since I have shut myself up in the Rock-cave, there ought surely to be continual night in the Central Land of fertile reed-plains. How then can Ame no Uzume no Mikoto be so jolly? So with her august hand, she opened for a narrow space the Rock-door and peeped out. Then Ta-jikara-o no kami forthwith took Amaterasu by the hand and led her out. Upon this the gods Nakatomi no Kami and Imibe no Kami at once drew a limit by means of a bottom-tied rope ... and begged her not to return again [into the cave]. (SJT, 24-25)
Shinto "torii" (shrine gate)
Susanoo
 
Susanoo & the Great Sword
So, having been expelled, Susa-no-o descended to a place [called] Torikami at the head-waters of the River Hi in the land of Izumo. [Susa-no o met an old male and an old female deity who were weeping because they had lost seven daughters to a serpent, which was now about to take their eighth daughter. Susa-no o then set out eight pots of sake (rice alcohol); when the serpent arrived, each of its eight heads drank a pot of sake so that it became intoxicated.]
Kusanagi no Tsurugi
Then Susa-no o drew the ten-grasp saber that was augustly girded on him and cut the serpent in pieces, so that the River Hi flowed on changed into a river of blood. So when he cut the middle tail, the edge of his august sword broke. Then, thinking it strange, he thrust into and split [the flesh] with the point of his august sword and looked, and there was a sharp great sword [within]. So he took this great sword, and thinking it a strange thing, he respectfully informed Amaterasu. This is the Herb-quelling Great Sword. (SJT, 25-7)
Shinto: Imperial Regalia
Ninigi & Jimmu
The Imperial Ancestors
After “all the Central Land of Reed-Plains” was completely “tranquilized,” Amaterasu gave her grandson, Ninigi, the Three Treasures (a curved jewel, a mirror, and a sword) and sent him down to rule the earth, saying: “This ... Land is the region which my descendants shall be lords of. Do thou, my August Grandchild, proceed thither and govern it. Go! And may prosperity attend thy dynasty, and may it, like Heaven and Earth, endure for ever.” (Sources of Japanese Tradition, 28)
 
Jimmu (Japan's first emperor, according to tradition)
 
According to tradition, Ninigi’s Great Grandson, Jimmu, went on to become the first “emperor” of Japan in 660 B.C.E. The present emperor of Japan, Naruhito, is said to be a direct descendent of this lineage, which is ultimately traced back to the kami Amaterasu.
 
Emperor Akihito and Empress Michiko
Shinto "torii" (shrine gate)

 
Small Shinto Shrine
 
In addition to the deities discussed above, the term kami refers to “the spirits that abide in and are worshipped at the shrines. In principle human beings, birds, animals, trees, plants, mountains, oceans — all may be kami. According to ancient usage, whatever seemed strikingly impressive, possessed the quality of excellence, or inspired a feeling of awe was called kami.” (Motoori Norinaga, quoted in The Sacred Paths of the East, 247)
Shinto "torii" (shrine gate)
Mt. Fuji (sacred mountain)
Mt. Fuji, One of the Oldest and Most Venerated "Nature" Kami
Shinto "torii" (shrine gate)
Nachi Waterfall (kami)
Nachi Waterfall at the Kumano Nachi Shrine
Shinto "torii" (shrine gate)
Wedded Rocks with shimenawa
The "Wedded Rocks" (Representing Izanagi and Izanami) at Futami no Ura
Shinto "torii" (shrine gate)
Sacred tree with shimenawa
Sacred Tree With a Shimenawa (Rice-Stalk Rope to Ward Off Evil Spirits)
Shinto "torii" (shrine gate)
Ise Shrine
Ise Grand Shrine, Dedicated to the Sun Goddess Amaterasu
Shinto "torii" (shrine gate)

 
Kegare (impurity/defilement)

Impurity
&
Purification

Misogi (waterfall purification ritual)
 
Kanji: tsumi (defilement)In the traditions collectively referred to as Shinto or kannagara, the world is beautiful and full of helpful spirits. ... However, ritual impurity is a serious problem that obscures our originally pristine nature; it may offend the kami and bring about calamities, such as drought, famine, or war. The quality of impurity or misfortune is called tsumi or kegare. It can arise through contact with low-level spirits, negative energy from corpses, negative vibrations from wicked minds, hostility toward others or the environment, or natural catastrophes. In contrast to repentance required by religions that emphasize the idea of human sinfulness, tsumi requires purification. The body and mind must be purified so that the person can be connected with kami that are clearn, bright, right, and straight. (Living Religions, 231)
 
The Western idea of sin generally involves intent; sin usually cannot be accidental. The Shinto idea of defilement, by contrast, is more akin to what we find in taboo cultures — that is, the contact itself is the polluting factor regardless of whether the person knew about the offense or undertook the action voluntarily. ... In the symbolic language introduced in the previous chapter, we could say the mirrorlike mindful heart is soiled (perhaps through no fault of its own) and cannot reflect the kami-filled world. Things will not go right from this point forward — the only solution is a purification ritual to eradicate the pollution or defilement. (SWH, 47-8)

What are the implications of focusing on "defilement" rather than "sin"?

 

Misogi (Ablution)
&
Harae/Oharai (Purification Rituals)


 

Shinto "torii" (shrine gate)